you’re sitting across from me in a shitty diner in anywhere, america, and i watch you pour too much creamer in your coffee and i think “i love you.” you look up, catching me staring, and for a moment i think i’m brave enough to say it, but i take too long and the moment passes. i take the balled up straw wraper and flick it at you, pretending that was my plan all along. you laugh. i never want to go another day without hearing that laugh. i think i will have all the time in the world to say it.
op are you okay
yes im married to her now
Another thing about OFMD that I adore is how when a character starts acting like a racist dickhead, you can be pretty sure they've just put a target on their backs.
Sometimes it's immediate - the pilot immediately set the tone when that racist guy called Frenchie a slave and instantly got a knife through the hand.
But I think it's even more satisfying, almost, when it gets to stew for a bit. The second those British soldiers started singing Hail Britannia in Spanish Jackie'z, and we saw Jackie's face, I knew they were dead men walking.
And isn't that such a wonderful thing? I've never had a show where I know if someone starts being a racist asshole, they're going to get what's coming to them.
yes it's one of the best and horniest metaphors for penetrative sex I've ever seen but even without the subtext, just textually, he wanted to be held by this man so badly that he goaded him into stabbing him. he wanted to be held in the arms of this man so badly that he demanded he run him through with an entire sword. and now they get to be boyfriends and probably get pirate married next season. ed and stede everybody.
demanding he stab you under pain of death may not be the usual way to let someone know you’re interested but i must admit, it really effectively communicates that you ARE a bottom and you ARE completely fucking insane























